[ 张浩以其独有的毛笔思维充分展现了精神漫游世界之后的记忆铭刻,纯粹依靠笔痕在空白宣纸上的移动,整合个体的梦想、视觉的残留幻象、建筑物的简化结构、图像的文字原始还原,还有在宣纸上书写时留下的意外痕迹。毛笔思维乃是唤醒我们面对世界的原初直觉,画面上就是几块带有身体姿态的墨块彼此交叠着,悬置在空间中,赋予空白以重量。一旦我们进入细节的观看,就可以倾听到那些笔痕用力书写时撕开宣纸留下的裂痕,这些空白的丝丝裂痕还在呼吸震颤,画面上隐秘喧嚣的是这些回响着的空白余韵:裂白,破白,开白,空白,让空白活化起来,让精神在行走中获得了身体的灵韵。这些交织的墨块既非抽象也非具象,既非文字也非形体,在似与不似之间激发了我们无尽的联想,这是西方抽象绘画所不可能具备的灵感与爆发力,这是一首首世界的诗行,这是精神的逍遥游。]
Zhang Hao’s hairbrushthinking reveals sufficiently the imprinted memories after the spiritualjourneys of the artist, depends exclusively on the movements of the brushstrokeon the fiber paper, integrates with the reveries of the individual, theresidual vision image, the simplified silhouette of architecture, theprimordial text extraction from image, as well as the inadvertent brushstrokesleft on the paper. Hairbrush thinking awakens our primitive instinct ofpersonal experience. Several ink blocks, with body gestures, interwoven witheach other, as if suspending in the space, endowing the blank space with solidweightiness. Seen from the details, we can hear the husky tones of the strokemarks on the fiber paper, feel the breaths and quivers of the cracks on theblank space. The secretive noises reverberate on the painting like thelingering charms of the blank: cracks, splits, wounds and voids, vitalizing thewhole space, endowing the space with an aura of body through themind-meandering activity. Those dialoguing ink blocks on the works are neitherabstract nor figurative, neither text nor image, this ambiguity betweenlikeness and unlikeness stimulates the imagination of the spectators, theinspiration and intuition of Zhang Hao’s works transcend the boundaries of theoriental and western abstract painting, thereby poeticizing the earthly world, leadingus onward for a spiritual journey.
关键字:宣纸,毛笔,精神,裂痕,世界,抽象,内容标签: 宣纸 毛笔 精神 裂痕 世界 抽象


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