宗教门户网:贾廷峰：太和·回归·东方_-意象-文化艺术-文化-艺术家-东方文化-理念

　　太和·回归·东方　　賈廷峰　　回顾世界现当代艺术发展史，西方人仰仗其经济强势，引领世界文化艺术潮流数百年。一场突如其来的经济危机暴露出西方社会价值体系及文化

　　太和·回归·东方

　　賈廷峰

　　回顾世界现当代艺术发展史，西方人仰仗其经济强势，引领世界文化艺术潮流数百年。一场突如其来的经济危机暴露出西方社会价值体系及文化艺术的脆弱，人们越来越清晰地认识到东方文化的精深与博大。

　　太和艺术空间有感于部分中国当代艺术家在文化艺术上的盲从和形式上的模仿，致力于构建一个具有东方文化元素的价值体系，重新发现东方，回归东方。太和艺术空间以人为本，以学术为宗旨，秉承发现、高品质、兼容并蓄的文化传播理念，挖掘和推动对中华文化有传承、发展和原创的艺术家及艺术品。此次展出的三位艺术家风格代表了太和艺术空间的理念。

　　东方涂钦集东方意象艺术和西方抽象艺术滋养于一身，融汇文化、哲学、艺术的内涵，借助影像艺术，创造出多层面的审美趣味。其在文化认知和东方哲学理念上，以中国文化为底蕴，中国书法艺术筑其基，史前艺术(图腾、图式)、东巴文字符号(及唐人书写)佑其道，画面含蓄冲和，气韵生动，气象万千，淋漓尽致地抒发了他对人文与自然的诗性情怀。

　　唐承华谙熟东西方文化内涵，游仞于中西方文化之间。强烈的形式感以及对色彩的完美控制，使其作品体现出喷薄欲出的生命力。他凭借天马行空的想象力与原始冲动，运用粗犷的线条和框架式结构及西方现代绘画的抽象语言，融合中国画意象的内蕴，作品充分体现了神秘、激越、神合意切的特点。

　　傅泽南是“85艺术新潮”时期“江苏新野性画派”的领军人物。20年来他潜心研究东方文化的神秘意象和西方艺术的色彩表达方式，创造了一种恣肆奔放超现实的艺术景观。他不断追问人性的本能，极力诠释美丑的当代涵义。他的本真艺术面貌无疑会给符号化、灵魂缺失的当代艺术以反思与启发。

　　太和，天地间阴阳汇合，冲和之气;天下太和，兵戈不兴。

　　Taihe ·Return to the East

　　From early part of 20th century, the European and American art movements have dominated the world art stage for several decades, thanks to their strong economic developments and consistant cultural stratgies. However, the current financial crisis has exposed the fragility of the western cultural values and the disorientation of artistic believes. Scholars recognized that what some Chinese contempormy artists had followed the western art are proved to be a wrong direction. More and more  people are awakening to discover the limitless wealth and power of oriental culture in dealing with current social, cultural and art issues. It is the time to rediscover the East Returning to the East.

　　Taihe Art Gallery promotes high quality works of art  with diversity art originality . It promotes artists who are able to blend oriental culture with distinctive original styles . This exhibition showcases three accomplished artists that represent our gallery philosophy.

　　Dongfang TuQin , deeply understands both oriental culture and western expressive art. He creates multilevels of visual effects by blending the digital photo images, with social philosophical, culture, and artistic issues. His art concepts are based on revealing Chinese ancient wisdom and expressive quality of Chinese calligraphy, he is also interested in prehistory art (symbols and signs), Dongba charactors(and Tang dynasty calligraphy). His art is unique,simple and yet sophisricared. As a scholar and poet, his expressed his deep concerns about human and nature.

　　Tang Chenghua’s themes are his life and cross cultural experiences. His artistic sensitivity is inspired and embarked on a spiritual jouney that combined the oriental and western cultures. His work has a strong formal, compositional structure that contral its color and direct its limitless energy. Tang has a great skills in manipulating all techniques and expressions in service of his free imagination and compelling impulse. In some cases, his black lines/forms are dominate his picture plain that reminds his audience both Chinese link calligraphy and abstract landscapes. His work preserves the mysterious display between real and surreal, spatial depth of oviental art and confidential, active gesture of abstract expressionism.

　　Fu Zenan is th leading figure in “The 85 New Wave Art Movement, and Jiangsu New Primitive Art School”. He has seriously devoted himself for 20 years in researching the mysterious power of oriental art and western abstract expressionsm. He creats a series of powerful canvases that deal with dream,fantacy, love and human destination. He asks questions about nature of human being ; His work explains the contemporary implicatiom of the concept of “the beauty” and”the ugliness”. His art will no doubt provide an inspiration for contempory artists that have lost their  believes for painting.

　　Taihe, harmonious motions between Yin and Yang, Taihe, universal piece, no armed action needed.

关键字：意象,文化艺术,文化,艺术家,东方文化,理念,
内容标签： 意象 文化艺术 文化 艺术家 东方文化 理念