2020
我生命中最重要的事，就是继续画画 The most important thing in my life is to keep painting Objects no longer have inherent importance, so I choose the meaningless... Painting objects do not express anything, painting is not a means to an end, on the contrary, painting is spontaneous.
绘画对象不再具有固有的重要性，所以我选择没有意义的东西……绘画客体不表达任何东西，绘画不是达到一个目的的手段，相反，绘画是自发的。
2020｜乔治·巴塞利玆
Georg Baselitz
综合材料·Composite materials
Paul Mac im Vatikan, mit Lenin saß er abends auf der Bank und die Ziehharmonika singt Dank
2008, Pen and ink on paper
26 × 20 1/16 in. (66 × 51 cm)
Bergspitze, 2010
Pen and watercolour on paper
26 1/8 × 20 1/8 in. (66.3 × 51.1 cm)
Untitled, 2015, Watercolour and ink on paper
19 13/16 × 25 7/8 in. (50.4 × 65.8 cm)27
3/4 × 33 11/16 × 1 3/8 in. (70.5 × 85.5 × 3.5 cm) (framed)
Alter Kirgise, 2009
Oil on canvas, 78 3/4 × 63 3/4 in. (200 × 162 cm)80
5/16 × 45 11/16 × 2 3/8 in. (204 × 116 × 6 cm) (framed)
Frank und Lucien Plein–air, 2008
Pen and ink on paper
25 7/8 × 19 13/16 in. (65.8 × 50.3 cm)
Eine gewisse Ähnlichkeit zwischen Marcel und Maurizio
2008, Pen and ink on paper
26 5/16 × 20 3/16 in. (66.8 × 51.2 cm)
Avignone dada strip, 2014
Oil on canvas
189 × 118 1/8 in. (480 × 300 cm)
Ciò che è stato, passato, 2014
Oil on canvas
189 × 118 1/8 in. (480 × 300 cm)
Non cade ombra, 2014
Oil on canvas
189 × 118 1/8 in. (480 × 300 cm)
Zweitens, bitte schön, 2014
Oil on canvas118 1/8 × 81 1/2 × 1 7/16 in.(300 × 207 × 3.7 cm)
(unframed)119 11/16 × 83 1/16 × 2 3/8 in. (304 × 211 × 6 cm) (framed)
Erstens, bitte schön, 2014, Oil on canvas
118 1/8 × 81 1/2 × 1 7/16 in. (300 × 207 × 3.7 cm)
Oh, rosy, oh rosy, (Ach, rosa, ach rosa)
2015, Oil on canvas
118 1/8 × 114 3/16 in. (300 × 290 cm)119 1/2 × 115
9/16 × 1 15/16 in. (303.5 × 293.5 × 5 cm) (framed)
BDM Group, 2013, Bronze
Overall dimensions: 146 1/16 × 102 3/4 × 57 5/16 in. (371 × 261 × 145.5 cm)
2020年 ▎“癙” 艺风暴
【 2020 】征集｜一块布的温度
陈清勇｜制造“真相”的文人姿态
毛焰 快是艺术的敌人｜时代人物
2020年深圳「端于高处，“险” “贵”同与」
▌安塞姆·基弗：废墟-未来（Ruins-Future）综合材料Works
【首发】杨加勇｜20年代：艺术，是一种特质的复合光体
ACEI文献｜惠书文：艺术，改变世界的另一种力量
【惠书文｜艺评】林惠兴：我们终究不安的世界
【惠书文｜艺评】李卓·涂涂：绘画秩序中的图像隐喻
【惠书文｜艺评】陈蜀：在这个时代中，我们的记忆都是“被选择”后的意识残留
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