新国学网:悉尼雕塑论坛_2020：在露天环境_悉尼雕塑论坛-南澳-悉尼-艺术-新西兰

妮基·桑法勒(NikideSaintPhalle)著名的巨型女性雕塑系列《MissBlack

妮基·桑法勒(Niki de Saint Phalle)著名的巨型女性雕塑系列《Miss Black Power》和安东尼·葛姆雷 (Antony Gormley)的作品《Close》，日本箱根雕刻之森美术馆，箱根，日本

“2020年年悉尼雕塑论坛：在露天环境” 将用整个下午的时间与著名艺术家和行业领袖进行讨论，探索室外雕塑公园的策展，社区重要性和工程问题。您可以于11月17日星期二在新南威尔士州美术馆亲临我们的活动或通过Zoom网络研讨会参与。

我们自豪地宣布我们的2020年国际展示合作伙伴是箱根露天博物馆，这里汇集涵盖现代主义风格至当代艺术的各种雕塑杰作，并与日本箱根山的风景如画相映。首席策展人黑口拓拓郎（Takuro Kurokouchi）将作主旨演讲，并分享他在雕塑公园的策划。

一年一度的悉尼雕塑论坛旨在将艺术家、策展人、收藏家、学者、艺术专业人士和爱好者聚集在一起，旨在发展合作伙伴关系，以促进本地、国家和国际雕塑以及艺术社区之间的创意交流；同时提高了整个澳大利亚对雕塑的了解、兴趣和意识。

《支解（地点一）》，低碳钢管和绷紧的织物，2009，新西兰，图片©吉布斯农场(Gibbs Farm)

《沙漠中雾的苏醒：生态圈，1982年（也称为雾雕塑＃94925）》，澳大利亚国家美术馆，堪培拉。 图片 ©中谷藤子(Fujiko Nakaya)

马里瓦岩画， 照片由保罗·塔松教授 (Professor Paul Taçon) 提供

论坛议程

CONFERENCE PROGRAM:

欢迎辞 Welcome Address

保罗·弗莱彻议员，通讯网络安全和艺术部长

The Hon Paul Fletcher MP, Minister for Communications, Cyber Safety and the Arts

合作伙伴主旨演讲：日本箱根雕刻之森美术馆 

Presenting Partner Keynote Address: Hakone Open-Air Museum, Japan

黑口拓拓郎，日本箱根雕刻之森美术馆馆长

Takuro Kurokouchi, Chief Curator of the Hakone Open-Air Museum

“雕塑遇见花岗岩岛”：艺术家观点

‘Sculpture Encounters – Granite Island’:Panel Discussion on Artist Perspectives

由邦迪海海岸雕塑展创始总监⼤大卫·汉德利利领导及以下南澳⼤大利利亚花岗岩岛收藏中的艺术家：

Led by David Handley AM, Founding Director of Sculpture by the Sea, together with the following artists in the collection on Granite Island in South Australia:

崔译 Yi Cui (中国 China）

朱丽安娜·德·菲利利斯 Giuliana De Felice（新南威尔士州 | 新西兰 NSW | New Zealand）哈⽶米什什·麦克米兰 Hamish McMillan（南澳大利利亚州 SA）侯赛因·瓦拉曼尼什什 Hossein Valamanesh（南澳⼤大利利亚州 SA）玛格丽特·沃思 Margaret Worth（南澳大利利亚州 SA）

澳大利利亚国家美术馆雕塑花园：历史与未来

National Gallery of Australia Sculpture Garden:History and Future

露露西娜·沃德博士，澳大利利亚国家美术馆国际绘画和雕塑高级策展人

Dr Lucina Ward, Senior Curator of International Paintings and Sculpture, National

Gallery of Australia

阿纳姆马里瓦岩石艺术影像：研究与发现

The Arnhem Land Maliwawa Rock Art Images: Research and Discovery

保罗·塔松教授，昆士兰格里菲斯大学岩石艺术研究系主任

Professor Paul Taçon, Chair in Rock Art Research Griffith University, Queensland

新西兰吉布斯农场：对话

Gibbs Farm, New Zealand: In Conversation

彼得·博德曼，新西兰吉布斯农场总工程师

Peter Boardman, Head Engineer, Gibbs Farm, New Zealand

迈克尔·希尔博士，悉尼国立艺术学院艺术史与理论系主任

Dr Michael Hill, Head of Art History & Theory, National Art School, Sydney

《旁观者》，“雕塑遇见花岗岩岛”，2017年，©哈米什·麦克米兰 (Hamish McMillan)，拍摄：Mike Moore

《阳光 (Sunlight NO.3) 》，“雕塑遇见花岗岩岛”，2017，© 崔译(Yi Cui)

《对话》，“雕塑遇见花岗岩岛”，©侯赛因·瓦拉马内什什 (Hossein Valamanesh)，拍摄：Mike Moore

《Walking Looking Talking Noppan Nukkan Yunnan》，雕塑遇见花岗岩岛，2018， © 玛格丽特· 沃思（Margaret Worth），拍摄：Mike Moore

讲者介绍

SPEAKER BIOGRAPHIES

保罗·弗莱彻议员：布拉德菲尔德通讯网络安全和艺术部长

Hon Paul Fletcher MP : Federal Member for Bradfield Minister for Communications, Cyber Safety and the Arts

保罗·弗莱彻议员是莫里森政府通信网络安全和艺术部长。他于2009年12月进入议会，成为布拉德菲尔德议员； 2013年9月被任命为交通大臣议会秘书；2015年9月重大项目，地区和地方政府部长；2016年7月城市基础设施部长； 2017年年12月城市基础设施和城市部长； 2018年8月任职家庭和社会服务部长，并于2019年5月被任命为现任职务。他拥有悉尼大学的法学和经济学双双一流荣誉学位，以及纽约的哥伦比亚大学的工商管理理硕士学位及富布赖特学者。

Paul Fletcher MP is the Minister for Communications, Cyber Safety and the Arts in the Morrison Government. He entered Parliament in December 2009 as the Member for Bradfield; was appointed Parliamentary Secretary to the Minister for Communications in September 2013; Minister for Major Projects, Territories, and Local Government in September 2015; Minister for Urban Infrastructure in July 2016; Minister for Urban Infrastructure and Cities in December 2017; Minister for Families and Social Services in August 2018 and was appointed to his present role in May 2019. He has dual first class honours degrees in law and economics from The University of Sydney and an MBA from Columbia University in New York where he was a Fulbright Scholar.

黑口拓拓郎：日本箱根雕刻之森美术馆首席策展人

长国之森艺术基金会

Takuro Kurokouchi: Chief Curator, The Hakone Open-Air Museum, Japan Chokoku-no-mori Art Foundation

黑口拓拓郎于1968年出生于静冈县。1992年从新斯科舍省艺术与设计工作室部毕业后，于 1993年年加入了了日本箱根雕刻之森美术馆。黑口拓拓郎的专长是现代和当代雕塑，他目前在日本箱根雕刻之森美术馆负责保护，景观设计，策展事务和收藏管理理。他为博物馆划并策策划了许多雕塑展览，例如“Motoi Yamamoto展览”（2011年年），“Shinji Ohmaki展览”（2012年年）和“UJINO展览”（2013年）。

Takuro Kurokouchi was born in Shizuoka Prefecture in 1968. After graduating from Nova Scotia College of Art and Design Studio Division in 1992, Kurokouchi joined The Hakone Open-Air Museum in 1993.

Kurokouchi’s specialty is modern and contemporary sculpture and he is currently in charge of conservation, landscape design, curatorial affairs and collection management at the Hakone Open-Air Museum. Kurokouchi has planned and curated many sculpture exhibitions for the museum such as “Motoi Yamamoto Exhibition” (2011), “Shinji Ohmaki Exhibition” (2012), and “UJINO Exhibition” (2013).

崔译（中国）：“雕塑遇见花岗岩岛”参展艺术家

Yi Cui (China): Artist Exhibiting at ‘Sculpture Encounters – Granite Island’

崔译于2016年年毕业于中国美术学院雕塑与公共艺术学院，获硕士学位，期间在德国明斯特艺术学院交换学习，她的作品于中国的主要城市及德、法、意、澳等国展出并被收藏。

2019年年，崔译获第十届新星星艺术奖年年度学术奖及澳大利亚艺术委员会资助，2017年参加威尼斯军械库拉古那艺术奖，同年在第三届南京国际美展中获最受欢迎奖；她曾4次参加澳大利亚海岸雕塑展，获展览新兴艺术家奖。崔译描述她近期的艺术实践关注消费社会和城市更新中的日常物质媒介，试图在由此产生的点状体验中游弋，实践一种游园式的知觉转换。

In 2016, Yi Cui graduated from the Sculpture and Public Art college of the China Academy of Art with a MFA, during which she did an exchange to the University of Fine Arts Münster, in Germany on a scholarship. Her works have been exhibited in major cities in China, as well as in Germany, France, Italy and Australia. In 2019, Cui won the Annual Academic Award of the 10th New Star Art Awards and was funded by Australia Council for the Arts. In 2017, Cui was part of the Arte Laguna Prize presented in Nappe Arsenale Nord Venice and won the Citizens Choice Award of the 3rd Nanjing International Art Festival. Cui has exhibited in Sculpture by the Sea four times and won the Emerging Artist Award of Sculpture by the Sea, Bondi 2017. Cui describes her recent art practices as paying attention to the material media in the daily life of consume society during the process of urbanization, cruising in its point-like experiences and practicing a kind of garden wandering-like perceptual transformation.

朱丽安娜·德·菲利斯（新南威尔士州 | 新西兰）：“雕塑遇见花岗岩岛”参展艺术家

Giuliana De Felice (NSW | New Zealand): Artist Exhibiting at ‘Sculpture Encounters – Granite Island’

悉尼艺术家朱丽安娜·德·菲利斯出生于英国，在英格兰、意大利和新西兰长大，然后于 2005年年定居悉尼。德·菲利利斯是享誉国际的创意总监，她创作基于文本的雕塑作品超过15 年，作品引用了在广泛的旅行中收集的历史，文化和个人叙事的交汇点。通过探索语境和环境的概念，她塑造了语言和符号形式，为单词、词汇和记忆带注入了物质性。利用她在概念写作和设计方面的背景，德·菲利利斯在维多利利亚港的“雕塑遇见花岗岩岛”中的雕塑，在观众和物体之间创造了独特的交流；回顾过去和日常以及个人历史。

Sydney-based artist Giuliana De Felice was born in the United Kingdom and grew up between England, Italy and New Zealand before settling in Sydney 2005. An internationally award winning Creative Director, De Felice has specialised in text- based sculpture for over 15 years. Her work references the meeting point of historic, cultural and personal narratives gathered during extensive travels. Exploring the concept of context and environment, De Felice sculpts language and symbolic form that brings materiality to words, phrases & memories. Utilising her background in conceptual writing and design, De Felice’s sculpture exhibited at ‘Sculpture Encounters – Granite Island’, Victor Harbour, creates a unique exchange between the audiences and objects; recollecting both the past and everyday along with personal histories.

哈米什什·麦克米兰（南澳大利亚州）：“雕塑遇见花岗岩岛”参展艺术家

Hamish McMillan (SA): Artist Exhibiting at ‘Sculpture Encounters – Granite Island’

作为自我描述的观察者，南澳大利亚艺术家哈米什什·麦克米兰在着手建立一种引起回应或激发思想的方法之前，先寻找一个值得询问的问题，以便人们反思自己对周围世界的看法，并邀请观众在他们适合的地方思考。他作为创作思想家和合格的建筑设计师的背景使他努力将与观看者直接互动的作品以有形的方式集中在一起，在某个时间和地点照亮人类的状况。麦克米兰的艺术实践不受特定媒介的束缚，因此他的探索方法是牢固地融入对话和讲故事的原则中。每件作品都旨在与观众交谈，以鼓励作品与个人背景之间的对话，从而为人们提供空间，使人们在随后的作品重访中获得更多的意义。

As a self-described observer, South Australian artist Hamish McMillan searches for a question worth asking, before setting about creating a way to elicit a response or provoke thought, for people to reflect on how they see the world around them, to ask the viewer to consider, just where they fit. McMillan’s background as a creative thinker and qualified building designer sees him strive to pull together works that engage directly with the viewer in tangible ways, to shine light on the human condition in a moment of time and place. With an arts practice not bound to a particular medium, McMillan’s approach is that of exploration, lodged firmly in the principals of conversation and story-telling. Each work is designed to speak with the viewer, to encourage a dialogue between the piece and a person’s own context allowing space for people to gain further meaning on subsequent revisits to a work.

侯赛因·瓦拉曼尼什什（南澳大利亚州）：“雕塑遇见花岗岩岛”参展艺术家

Hossein Valamanesh (SA): Artist Exhibiting at ‘Sculpture Encounters – Granite Island’

侯赛因·瓦拉曼尼什什出生于伊朗，于1973年移民到澳大利亚，1977年毕业于南澳大利亚艺术学院，并在澳大利亚和海外展览，包括德国、波兰、日本、芬兰、英国、加拿大和伊朗。重要的公共艺术委托作品包括1989年的《从内敲门》，阿德莱德；《您只需坐在这里里……》 FARET立川，1994年，东京。他与安吉拉·瓦拉曼尼什什的合作包括《An Gorta Mor》，

1999年为大饥荒纪念馆，悉尼海德公园营房；阿德莱德和银杏门北露台上的14件作品，是阿德莱德植物园的新西入口。日本越后妻有艺术三年展澳大利亚馆，2018。瓦拉曼尼什什被授予1998年年澳大利亚理事会研究金，他的作品被包括在澳大利亚大多数重要公共艺术收藏中。2001年南澳大利亚美术馆和2002年悉尼当代艺术博物馆对他的作品进行了一次主要调查。

Hossein Valamanesh was born in Iran, immigrated to Australia in 1973. He graduated from South Australian School of Art, 1977 and has exhibited in Australia and overseas including Germany, Poland, Japan, Finland, UK, Canada and Iran. Valamanesh has completed a number of major public art commissions including Knocking from the Inside, 1989, Adelaide; You just sit here… FARET Tachikawa, 1994, Tokyo.  His collaborations with Angela Valamanesh include An Gorta Mor,  memorial  to the Great Irish Famine, 1999, Hyde Park Barracks, Sydney; 14 Pieces on North Terrace, in Adelaide and Ginkgo Gate, a new western entrance to the Botanic Gardens, Adelaide. Australia House, Echigo-Tsumari Art Triennial, Japan 2018. Valamanesh was awarded an Australia Council Fellowship 1998 and his work is included in most major public Australian art collections. A major survey of his work was held at the Art Gallery of South Australia in mid 2001 and Museum of Contemporary Art in Sydney, 2002.

玛格丽特·沃思（南澳大利亚州）：“雕塑遇见花岗岩岛”参展艺术家

Margaret Worth (SA): Artist Exhibiting at ‘Sculpture Encounters– Granite Island’

玛格丽特·沃思在进入南澳大利亚艺术学院学习之前曾学习过物理理学，数学和音乐。她的艺术成为融合她在科学和灵性上的奇迹的一种手段-⼀一种可以同时代表两者的视觉语言。沃思与露露西·利利帕德（Lucy Lippard）、索尔·勒勒维特（Sol Le Witt）和理理查德·塞拉（Richard Serra）在纽约州一同完成了研修课程，巩固了工艺、纯抽象和材料方面的持久基础。沃思参加的邀请展包括麦克莱兰国家雕塑调查与大奖、海伦·伦普雷雷埃国家雕塑奖，东京双年年展、阿德莱德双年年展、悉尼佩斯佩塔和洛恩雕塑双年年展、她的作品被收藏在澳大利亚国家美术馆、维多利利亚美术馆、南澳大利亚美术馆、新南威尔⼠士州美术馆、昆士兰州GOMA美术馆、华盛顿州克鲁瑟斯收藏以及美国和澳⼤大利亚的大学收藏。

Margaret Worth studied physics, mathematics and music before embarking on studies at the South Australia School of Art. Her art became the means to combine her wonder in science and in spirituality – a visual language that could speak for both. Worth completed advanced studies in New York NY with Lucy Lippard, Sol Le Witt and Richard Serra consolidating an enduring foundation in process, pure abstraction and materials. Worth has participated in invitational exhibitions including the McClelland National Sculpture Survey and Award, Helen Lemprière National Sculpture Award, Tokyo Biennale, Adelaide Biennial, Sydney Perspecta and the Lorne Sculpture Biennale and her work is held in the collections at the National Gallery of

Australia, National Gallery Victoria, Art Gallery of South Australia, Art Gallery of NSW,Queensland Art Gallery GOMA, Cruthers Collection, WA as well as University collections in the USA and Australia.

大卫·汉德利：邦迪海岸雕塑展创始总监

David Handley AM: Founding Director of Sculpture by the Sea

1997年，年年仅31岁的大卫·汉德利创立了邦迪海岸雕塑展，该展览为期一天，展出了64件雕塑作品，25,000人参加了第一次展览。在不到三年的时间里，该展览已成为世界上最大的年度雕塑展览，展出来自世界各地的艺术家的100多件雕塑。1998年年，汉德利受命为澳大利亚奥林匹克艺术节“一场海洋变化”在澳大利亚举办一系列列五个“海岸雕塑”展览。2005年，汉德利和他的团队在西澳大利亚州海海岸的珀斯推出了年度珀斯海岸雕塑展，吸引了24万游客参观了来自世界各地的艺术家的70件雕塑。2009年，在TRH王储弗雷雷德里里克（Frederik）和丹麦王储玛丽（Mary）的赞助下，首个国际版的海岸雕塑展在丹麦的奥胡斯市上演，每两年举行一次，直到2015年，每个展览估计吸引了40万名参观者。2016年年，大卫·汉德利在澳大利亚日荣誉奖中获得了澳大利亚勋章。

In 1997 at the age of 31, David Handley founded Sculpture by the Sea, Bondi which began as a one-day exhibition of 64 sculptures. 25,000 people attended the first exhibition. Within three years the exhibition had grown to be the largest annual sculpture exhibition in the world featuring over 100 sculptures by artists from around the world. In 1998, Handley was commissioned to produce a series of five Sculpture by the Sea exhibitions around Australia for the Sydney Olympic Arts Festival ‘A Sea Change’. In 2005 Handley and his team launched the annual Sculpture by the Sea,

Cottesloe in Perth on the west Australian coast which attracts 240,000 visitors to view 70 sculptures by artists from across the world. In 2009, the first international edition of

Sculpture by the Sea was staged in the City of Aarhus, Denmark under the Patronage of TRH Crown Prince Frederik and Crown Princess Mary of Denmark. The Denmark exhibition was held every two years until 2015 attracting an estimated 400,000 visitors to each exhibition. In 2016, David Handley received Member of the Order of Australia in the Australia Day Honours.

露西娜·沃德博士：澳大利亚国家美术馆国际绘画和雕塑高级策展人

Dr Lucina Ward: Curator of International Painting and Sculpture, National Gallery of Australia, Canberra

露西娜·沃德博士是堪培拉澳大利亚国家美术馆国际绘画和雕塑部的策展人，她的项目包括：《爱与欲望：泰特美术馆的拉斐尔前派杰作》（2018-19）；《美国⼤大师1940–1980》（2018）；《凡尔赛宫：宫殿的宝藏》（2016-17）；《詹姆斯·特瑞尔：回顾展》（2014-15）；《抽象表现主义》（2012-13），《巴黎杰作》（2009-10）；《软雕塑》（2009）；《从特纳到莫奈奈》（2008）。沃德对现当代雕塑特别感兴趣，并与詹姆斯·特瑞尔一起合作完成了澳大利亚国家美术馆雕塑花园上空的永久作品《Within without 2010》。 她还定期发布有关收藏的许多方面的知识并发表演讲。沃德的博士学位是由澳大利亚国立大学授予的，她也是堪培拉艺术学院和堪培拉大学的校友。

Dr Lucina Ward is Curator of International Painting and Sculpture at the National Gallery of Australia, Canberra, where her projects include: Love & desire: PreRaphaelite masterpieces from Tate (2018–19); American Masters 1940–1980 (2018); Versailles: Treasures from the Palace (2016–17); James Turrell: A retrospective (2014– 15); Abstract Expressionism (2012–13), Masterpieces from Paris (2009–10); Soft sculpture (2009); and Turner to Monet (2008). Ward has a particular interest in modern and contemporary sculpture, and worked with Turrell on Within without 2010, a permanent skyspace for the NGA’s sculpture garden. She also regularly publishes and lectures on many aspects of the collection. Ward’s doctorate was granted by the Australian National University, and she is also a graduate of the Canberra School of Art and the University of Canberra.

保罗·塔松教授：昆士兰格里菲斯大学岩石艺术研究系主任和人类学与考古学教授

Professor Paul S.C. Taçon: Chair in Rock Art Research and Professor of Anthropology and Archaeology at Griffith University, Queensland

保罗·塔松教授是澳大利利亚ARC获奖者（2016-2021年年），岩石艺术研究系主任以及澳大利利亚昆士兰州格⾥里里菲斯大学的人类学和考古学教授。塔松教授还领导格里菲斯大学的区域、进化和岩石艺术遗产单位（PERAHU），以及格里菲斯社会文化研究中⼼心和⼈人类进化研究中心的研究课题。自1980年年以来他⼀一直从事考古和⼈人类学领域的工作，并在澳大利亚、柬埔寨、加拿⼤大、中国、印度、印度尼西亚、马来西亚、缅甸、南非、泰国、菲律律宾和美国的边远地区拥有90多个月的现场经验。塔松教授与Christopher Chippindale博士共同编辑了《岩石艺术考古》，并发表了280余篇关于岩石艺术、物质文化、色彩、文化演变和特性的学术论文和热门论文。2016年12月，塔松教授在年度澳大利亚考古学会年会上获得了最高奖，即Rhys Jones对澳大利亚考古学的杰出贡献奖章。他还获得了2016年格里菲斯大学副校长的研究领导杰出研究奖。

Professor Paul S.C. Taçon FAHA FSA is an ARC Australian Laureate Fellow (2016-2021), Chair in Rock Art Research and Professor of Anthropology and Archaeology  at Griffith University, Queensland, Australia. Prof Taçon also directs Griffith University’s Place, Evolution and Rock Art Heritage Unit (PERAHU) and leads research themes in the Griffith Centre for Social and Cultural Research and Griffith’s Research Centre of Human Evolution. Prof Taçon has conducted archaeological and ethnographic fieldwork since 1980 and has over 90 months field experience in remote parts of Australia, Cambodia, Canada, China, India, Indonesia, Malaysia, Myanmar, southern Africa, Thailand, the Philippines and the USA. Prof Taçon co-edited The Archaeology of Rock-art with Dr Christopher Chippindale and has published over 280 academic and popular papers on rock art, material culture, colour, cultural evolution and identity. In December 2016 Prof Taçon was awarded the top award at the annual Australian Archaeological Association conference, the Rhys Jones Medal for Outstanding Contribution to Australian Archaeology. He also received the 2016 Griffith University Vice-Chancellor’s Research Excellence Award for Research Leadership.

彼得·博德曼：新西兰吉布斯农场总工程师

Peter Boardman: Head Engineer, Gibbs Farm, New Zealand

彼得·博德曼是高级结构工程师，以创新和提供一流的结构工程解决方案而闻名。在过去的 40多年年中，博德曼曾在新西兰、澳大利利亚、尼泊尔和太平洋地区开展项目。他是世界领先的雕塑公园之一新西兰吉布斯农场的首席工程师，与来自世界各地的顶级雕塑家⼀一起在农场上进行工程设计和安装。博德曼的关键技能包括问题解决、概念工程和建筑工程，他为新西兰的一些高调建筑提供工程设计，其中包括惠灵顿的Te Papa和奥克兰大学重建的许多建筑。他还曾在巴布亚新几内亚从事两个项目——为2015年太平洋运动会而建成陶拉玛水上运动中心和丽塔·弗林无挡板篮球中心。博德曼和他强大的团队在众多国际体育场专家中赢得了这些项目。在福尔摩斯咨询集团（Holmes Consulting Group）工作了20多年后，博德曼在1998年成立了结构设计（Structure Design）。

Peter Boardman is a Senior Structural Engineer, with a reputation for innovation and delivering first-class structural engineering solutions. Over the past 40+ years Boardman has worked on projects in New Zealand, Australia, Nepal and around the Pacific. He is the head engineer for Gibbs Farm in New Zealand, one of the world’s leading sculpture parks, and has worked with top sculptors from around the world on the engineering and installation of their works on the farm. Boardman’s key skills include problem solving, conceptual engineering and construction engineering and he has provided the engineering for several high-profile buildings      in New Zealand, including Te Papa in Wellington and a number of buildings for the University of Auckland as part of its rebuild. He has also worked on two projects in Papua New Guinea - the Taurama Aquatics Centre and the Rita Flyn Netball Centre, completed for the 2015 Pacific Games. Boardman and his strong team won these projects over international stadium experts. Boardman set up Structure Design in 1998 after spending over 20 years at Holmes Consulting Group.

迈克尔·希尔博士，悉尼国立艺术学院艺术史与理理论系主任

Dr Michael Hill: Head of Art History, National Art School, Sydney 

迈克尔·希尔博士是悉尼国立艺术学院艺术史系主任。他的主要研究重点是罗马的弗朗切斯科·波罗米尼（Francesco Borromini）巴洛洛克风格的圣卡洛洛·阿特·夸特罗·冯塔内教堂。 他对波罗米尼的研究工作带领他研究了列奥·施坦伯格（Leo Steinberg）对现代主义艺术批评的批评。 希尔博士与彼得·科哈内（Peter Kohane）一起撰写了古典建筑中的礼节理理论，重点研究了装饰对公共空间营造的贡献。除学术成就之外，希尔博士还是澳洲海岸雕塑展的艺术顾问，并七次访问了新西兰的吉布斯农场。

Dr Michael Hill is head of Art History at the National Art School in Sydney. His main focus of research has been Francesco Borromini’s Baroque church of San Carlo alle Quattro Fontane in Rome. His work on Borromini led him to study Leo Steinberg’s critique of modernist art criticism. With Peter Kohane, Dr Hill has written on the theory of decorum in classical architecture, focused on the way decoration contributes to the making of public space. Outside of scholarship, Dr Hill is an artistic advisor to Sculpture by the Sea and has visited Gibbs Farm in New Zealand seven times.

斯蒂芬·布拉德利：跨领域艺术收藏的经理

Stephen Bradley: Manager of Transfield Art Collection

斯蒂芬·布拉德利是新西兰出生的艺术家、策展人、作家和企业事务经理。他于1983年移居悉尼，并在视觉艺术学院学习电影。1988年年，他前往伦敦，在那里担任艺术家、摄影师、表演者和导演。布拉德利在伦敦的这段时间受托于两家艺术慈善机构：Art House和Cor Blimey Arts，他在其中负责策展工作，最重要的展览是在布鲁塞尔和斯特拉斯堡的欧洲议会举行的群展。布拉德利于2000年重回悉尼，并加入了跨领域控股集团（Transfield Holdings）担任该公司的艺术收藏经理至今。布拉德利最近完成了为期五年的新南威尔士州区域艺术总监的工作，他是跨领域基金会（Transfield Foundation）咨询委员会的成员。他是2017年度邦迪海岸雕塑展策展团队的一员，并且是2019年度邦迪海岸雕塑展重大奖项评委之一。

Stephen Bradley is a New Zealand-born artist, curator, writer and Corporate Affairs Manager. He moved to Sydney in 1983 and studied film at the School of Visual Arts. In 1988 he travelled to London where he worked as an artist, photographer, performer and director. In this time in London Bradley was a trustee of two arts charities: The Art House and Cor Blimey Arts, which led to his curatorial work, highlights being group exhibitions at the European parliaments of Brussels and Strasbourg. Relocating to Sydney in 2000 Bradley joined Transfield Holdings as the company’s Art Collection Manager, a role he continues. Bradley recently completed a five-year stint as a Director of Regional Arts NSW, has been a member of the Transfield Foundation’s Advisory Committee. He was part of the curatorial panel for Sculpture by the Sea, Bondi 2017 and was a member of the judging panel for the Sculpture by the Sea, Bondi 2019 major award at Bondi.

论坛信息

CONFERENCE INFORMATION

日期：2020年11月17日星期二

时间：注册 11.45am-12pm | 会议 12pm–5pm

地点：新南威尔士州美术馆The Domain Theatre

Date: Tuesday 17 November 2020

Time: Registration 11.45am – 12pm | Conference 12pm – 5pm Location: The Domain Theatre, Art Gallery of NSW

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