参展艺术家/Artist
吴亚驰/艺术家/现工作生活于江西省九江市
我尽可能的减少画面中的元素，只保留能激起感受的部分，物象呈现的基本形态或者是基于图像本身的一些感受，画面要挣脱束缚成为一个看似纯粹如柏拉图“理型”般的事物或“形而上”的图像。但画面也绝不是完全孤立的，总被事物以外的因素影响着，无论从叙事逻辑还是图像逻辑出发，没有画面之外的介入，画面本身就没有意义，通过这种“抽离”的方式，将感受引导向一种虚无与未知，或成为某种隐喻。
I try to reduce the elements in the picture as much as possible, and only keep the part that can arouse the feeling, the basic form of the object image or some feelings based on the image itself. The picture should break away from the shackles and become a seemingly pure thing like Plato's "rational type" or "metaphysical" image. But the picture is not completely isolated. It is always influenced by factors other than things. No matter from narrative logic or image logic, without the intervention of the picture, the picture itself has no meaning. Through this way of "pulling away", the feeling can be guided to a kind of nothingness and unknown, or become a kind of metaphor.
参展作品/Artworks
红色气球/70*55 cm/布面油画/2019
偏离/120*90 cm/布面油画/2020
体积/60*50 cm/布面油画/2018
白布与洞/84*63 cm/布面油画/2020
包裹/120*90 cm/布面油画/2020
鱼头/120*90 cm/布面油画/2019
帐篷/120*90 cm/布面油画/2020
转角、墙壁/200*150 cm/布面油画/2020
转角/100*81 cm/布面油画/2018
桌角/80*40 cm/布面油画/2019
艺术简历/ Resume
本科毕业于绵阳师范学院
《新维度之“物”》关山漾美术馆 2019年
《衍生》一展梧奥艺术空间 2019年
关键字： 内容标签：画面,白布,图像,佑品空间,当代艺术,画面 白布 图像 佑品空间 当代艺术
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