新国学网:≡_黄炳_|_群展“Dream_Baby_Dream”_|_德国克尔彭Hau_克尔-科隆-动画

(录像静帧Videostill)≡黄炳WongPing太阳留住我StopPeeping

(录像静帧 Video still)≡ 黄炳 Wong Ping太阳留住我 Stop Peeping, 2014单频动画录像  Single channel video animation3 min 48 sec© 图片由艺术家及马凌画廊提供Image courtesy of the artist and Edouard Malingue Gallery

新展开幕 Upcoming Exhibition

群展 Group Exhibition 

"Dream Baby Dream"

黄炳 Wong Ping

展期 Duration: 2020.02.02-12.20

地址 Address: 德国克尔彭Haus Mödrath

Haus Mödrath, Kerzen, Germany

(Scroll down for English version)

黄炳参加的位于Haus Mödrath的群展”Dream Baby Dream“正在展出。展览由Gesine Borcherdt策划，他是位于柏林的BLAU International和艺术杂志BLAU的作家、编辑，也是杜塞尔多夫CAPRI项目空间的策展人。这次展览的艺术家及其创作与童年和青年时代之间有着密切的联系。这种联系不仅是创作灵感的来源，同时也作为某种对生理、心理及社会冲突的隐喻。艺术家之间的相互作用氛围，将使童年和青年的黑暗面以全新形式呈现。黄炳在展览中展出其单频动画作品《太阳留住我》（2014）。

机构介绍

位于德国克尔彭的Haus Mödrath是一个当代艺术、音乐和文化中心和集合点。它有一段非同寻常的历史：1830年左右这座庄园被建造时，它主要用于私人目的——住宅。它属于一个由于露天开采而差一点消失了的村庄。这栋建筑原先是一家生产颜料的工厂，其历史可以追溯到几个世纪以前。 

这栋建筑由一个基金会提供资金，由该地区的一位藏家资助，根据一位发言人所说，藏家希望”保持匿名，以专注于艺术，而不是发展个人品牌”。因此，这个机构不会拥有永久馆藏，而是作为一个艺术馆，由策展人轮流策划展览。

≡ 黄炳 Wong Ping“Dream Baby Dream”展览现场Installation view at “Dream Baby Dream”Haus Mödrath，2020© 图片由Haus Mödrath提供。摄影：Simon Vogel，科隆。Courtesy of Haus Mödrath.Photos: Simon Vogel, Cologne

Wong Ping participated in the group exhibition ‘Dream Baby Dream’ at Haus Mödrath. Curated by Gesine Borcherdt, a writer and editor of the art magazines BLAU and BLAU International in Berlin, as well as a curator at the Düsseldorf project space CAPRI, this exhibition features artists whose work evince a strong connection to childhood and youth, not just as a source of creative inspiration, but also as a metaphor for physical, psychological, and social conflicts. The interplay of the artists creates an atmosphere in which the dark sides of childhood and youth take on entirely new forms. On view is Wong Ping’s single channel animation, ‘Stop Peeping’ (2014).

≡ 黄炳 Wong Ping“Dream Baby Dream”展览现场Installation view at “Dream Baby Dream”Haus Mödrath，2020© 图片由Haus Mödrath提供。摄影：Simon Vogel，科隆。Courtesy of Haus Mödrath.Photos: Simon Vogel, Cologne

 

About the institution

Haus Mödrath – Räume für Kunst in Kerpen is a center and meeting point for contemporary art, music and culture. It has a quite extraordinary history: When the manor house was built around 1830 it was mostly used privately, for residential purposes. It belonged to a village, which all but disappeared due to strip mining. The origin of the house is a mill that produced pigments dating back centuries. 

Backed by a foundation, the house is funded by a collector from the region, who wishes to “remain anonymous in order to keep the focus on art, rather than cultivating a personal brand,” according to a spokesperson. In line with this, there will not be a permanent collection installed in the house, but rather, it will be a proper Kunsthalle, with rotating exhibitions organized by curators.

艺术家简介 About the artist

闪烁活泼的影像；对性、政治和社会关系毫无保留的视觉和听觉叙述；将艺术家的诡奇动画世界活灵活现的装置作品——这些都是黄炳(1984年生于中国香港)的创作元素，集愚蒙与色彩于一身，在性抑压，个人情感和政治时弊之间展开讨论。来自香港的黄炳藉骇人而诙谐的视觉语言，诠释他自少年时期起对社会环境的知性勘察。最为令人瞩目的香港新艺术家之一，他曾受邀于M+，NOWNESS以及Prada的委托创作动画作品，并获得Perspective “40 under 40”奖项。近期展览包括古根海姆美术馆的“单手拍掌”与在纽约新当代艺术博物馆的“破坏之歌”。此外，黄炳曾在中国当代艺术中心（CFCCA）进行艺术家驻村计画，并在曼彻斯特、香港、伊斯坦布尔、柏林、和巴黎等地举办过国际展览。他的动画作品已在众多国际艺术节以及影展中展出，并受到LEAP，ArtAsiaPacific 和其他重要艺刊的关注。黄炳的作品被M+ (香港)、卡蒂斯特艺术基金(巴黎)、所罗门古根海姆美术馆(纽约)、复星艺术中心(上海)等机构永久收藏。2018年，黄炳获得了首届卡姆丹艺术中心新兴艺术家奖。

​© 图片由艺术家提供Image courtesy of the artist.

Flashing, pop-like imagery; visual and auditory narrations that explicitly touch upon sex, politics and social relations; vibrant installations that extend into three dimensions of the artist’s fantastical animation world – these are but cornerstones of Wong Ping’s (b. 1984) practice. Discussing his observations of society, from teenage to adulthood, his work combines the crass and the colourful to mount a discourse around repressed sexuality, personal sentiments and political limitations. As one of Hong Kong’s most exciting emerging artists, his animations have been commissioned by M+, NOWNESS as well as Prada and he was awarded one of Perspective’s ’40 under 40’. His recent shows include, ‘One Hand Clapping’ at the Solomon R. Guggenheim Museum and ‘Songs for Sabotage’ at New Museum, New York.  Moreover, Wong held a residency at the Chinese Centre for Contemporary Art (CFCCA) and has held exhibitions internationally in Manchester, Hong Kong, Istanbul, Berlin and Paris, amongst other locations. His animation films have been presented at numerous festivals internationally, from Belgium and the UK to Mexico and Australia, and have been reviewed in LEAP, ArtAsiaPacific and other publications. Wong’s work is held in several permanent collections including M+, Hong Kong, KADIST, Solomon R. Guggenheim Museum, New York, Fosun Art Foundation, Shanghai, amongst others. In 2018, He was the recipient of the inaugural Camden Arts Emerging Arts Prize.

 

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