参展艺术家/Artist
龚建东/艺术家/现工作生活于重庆
Gong Jiandong, artist, Now living and working in Chong Qing
There is no clear theme in my painting. I try to show the confusion of the images I receive everyday. The image we see often appears together with the text, which may show another meaning without the text. When I combine the parts of these images together, its original meaning is further reduced. It may look very abstract, but it is a picture. In addition, I want to open a gap with painting in the general sense. For example, landscape painting, figure painting, or painting of space and time. These elements may exist in my painting, and the information it presents is very rich.
In terms of composition, my painting has removed the visual center. When I see a large number of images, my eyes can't focus on a place, and I don't even know what it is going to convey. This feeling inspired me to abandon the visual center of the image when I created it. In fact, we live in such an environment. A large number of images cause our visual acceptance overload. I want to show the "truth" I feel.
In terms of color, I consider the whole picture as an image, so I unify the picture into one tone. There is no specific meaning to the hue, either blue or green. This kind of unity in color and the confusion of the picture and image form a kind of pull that fascinates me very much.
When I personally create, I use ready-made images. The coverage between images is like daily news. Today's images are covered by tomorrow's. When we look far at these split and then recombined images, it shows a clear sense of abstraction, but when we look closely, we can find concrete elements. This is a kind of effect that I pursue, a kind of painting with strangeness and ambiguity.
毕业于四川美术学院
2015.油画系23届年展 caea 美术馆
2016.十年显影 caea 美术馆
2019.24届广州国际艺术博览会 广交会C馆
2019.许钦松创作奖 广州美术学院美术馆
2019.抽相--悸动的形式 东视圣轩美术馆
2019.新维度之物 关山漾美术馆
2019.绿厂艺术节 深圳
2019.当代东亚艺术家邀请展 北京
2020.第四届福建省迎春作品展 厦门美术馆
2020.山西省首届青年艺术计划 太原美术馆
2020.繁星艺术计划 树美术馆
2020.约翰·摩尔绘画奖 上海民生现代美术馆
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